Thursday, 6 February 2014

Task 1a: Professional CV

                                               Task 1a: Professional CV

The Curriculum Vitae is a way to give, to a potential employer, an overview about your qualifications, experiences, education and what more you believe would be interesting to present. In dance auditions, when usually hundreds of girls send their applications, I've always tried to make a short and clear CV, choosing the information that I believe would be appreciated by the Company. Depending on the repertoire and artistic vision of the company or other type of work or project, I adapt my CV. Also, when I send a cover letter to a Company, I make sure that it is formal and shows what interest me about the Company, trying also to present a bit of my qualifications.

As a CV changes according to where is presented – or posted - here at the Blog, I tried to make it more detailed. At the “About me” part of the Blog I tried to create a more casual and personal way to present myself. You can also check my Network Dance Profile which includes my CV and Audition/Dance Pictures as well: http://www.networkdance.com/user/home.php?uid=2867


Julia Vargas Gil
Mobile:...............
                     Address: …………Date of Birth …….      Height:…….     Weight                                 Nationality: Brazilian         E-mail:……….

Personal Profile
Currently working as an Apprentice at Theater Dortmund. Concluded the National Certificate in Classical Ballet at Elmhurst School for Dance in association with Birmingham Royal Ballet and graduated on the official school for dance from the Rio de Janeiro`s Municipal Theatre. Have strong classical ballet technique, pointe work and contemporary technique with professional experiences. Further training in jazz, character dance, ballroom dancing and improvisation technologies. Took part in many workshops and courses from choreographers such as Paul Taylor, William Forsythe, David Dawson, Ohad Naharin (Batsheva Ensemble), Matthew Bourne, Hofesh Schecter, Paul Chantry, Michael Clarck and others.

Professional Experience
2013-2014            
Apprentice work contract at Theater Dortmund (Germany)
2011 (January to April); 2010 (November and December); 2008 (November to January)
Danced with the Corps of Ballet from the Official Company from The Municipal Theatre of Rio de Janeiro

Education and Qualifications
2011- 2013              
National Certificate in Classical Ballet / Elmhurst School for Dance trained by Errol Pickford, Samira Saidi and Gloria Grigolato; Dennie Wilson (Contemporary)
2007-2011              
Diploma in Professional Dance / Escola Estadual de Dança Maria Olenewa (official school of the Theatro Municipal do Rio de Janeiro) trained by Jacy Jambay, Maria Luiza Noronha, Maria Vakhrusheva and Piotr Russanov ; Renata Versiani (Contemporary)
2009 – 2010            
Joined by audition/full tuition scholarship: The Harid Conservatory (Boca Ratón, Florida, EUA) trained by Olivier Pardina and Svetlana Osiyeva; Josée Garant and Mark Godden (Contemporary)                    
2007- 2011             
 Private classes with Silvana Andrade
2005-2006              
 Private classes with Nora Esteves   
2004 - 2007             
Studio Bertha Rosanova (Rio de Janeiro) with Bertha Rosanova

Performances and Courses
2014    “Geschichten aus dem Wiener Wald" (Xin Peng Wang) Ballet Dortmund
2013    “Fantasia” (Xin Peng Wang) Ballet Dortmund
            Elmhurst School for Dance performances: Waltz Swan Lake 1st Act (Peter Wright), 
            Second act from Swan Lake Swans (Peter Wright), Mirlitons (Peter Wright), Paquita 
            (Marius Petipa), Still Life at the Penguim Café (David Bintley), Soloist at 
            Contemporary piece choreographed by Mikkaela Polley (Rambert Dance Company, 
            London)  
2012    Elmhurst School for Dance Solo Competition: Tchaikovsky Pas de Deux Variation 
            (Balanchine)
            ART of Ballet Summer Course Berlin, supported by William Forsythe & the 
            Semperoper Ballet Dresden
            Elmhurst School for Dance performance: Les Rendezvous (Frederick Ashton), “Déjà 
            vu” (Contemporary piece by Garry Tomlinson) and Jazz pieces
            Elmhurst School for Dance: Wet Woman (Mats Ek) “Aeon” (Wayne Mcgregor)
2011    Elmhurst School of Dance Solo Competition: Giselle 1st act variation (Peter Wright)
            Ecole Superieure de Danse de Cannes Summer Course
            Elmhurst School of Dance performance: Aspirations (Samira Saidi)
            Pineapple Poll (John Cranko)
            Giselle (Peter Wright): Danced with the corps of ballet of the official company from  
            the Theatro Municipal do Rio de Janeiro (TMRJ)
2010    Escola Estadual de Dança Maria Olenewa: Contemporary Pieces and Les Sylphides 
            (Fokine)
            ABT Collegiate Summer Intensive (New York): Second shade variation from La 
            Bayadere (Petipa)  and modern pieces (Jessica Lang).
            The Harid Conservatory: Waltz from Sleeping Beauty and Le Corsaire (Petipa)
            The Nutcracker (Dalal Achcar) Danced with the corps of ballet from TMRJ      
2009    The Harid Conservatory: Mirlitons and Waltz of Flowers from The Nutcracker (Petipa)
            The Harid Conservatory Summer Intensive: Fairy Doll variation and the corps of        
            ballet of La Bayadere (second act, Petipa) and modern pieces.           

Skills and Academic Education
Languages
English (Speaking, Reading, Writing – fluent. (Passed English Test from the University of Cambridge and Speaking Boarding Test from UK Border); Spanish (speaking and reading), Deutsch A1 Portuguese (mother tongue).  
Music Studies ( theory, singing and piano. Private classes from 2002-2007 and at The Harid Conservatory)

High School Diploma from Centro Educacional Anisio Teixeira (Brazil) 

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